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richard foster review: katadreuffe & apneu release show, ot301, amsterdam – january 8 2014

flyer: katadreuffe & apneu release show, ot301, amsterdam - january 8 2014

Now time to take in Hunter Complex, albeit briefly as we have a train to catch back to Leiden. Lars of Narrominded, aka Hunter Complex takes full use of the massive space afforded to him by the stage and whacks out his Sound and Vision to great effect. This is possibly the best of the four shows, just for the way it’s thought through. I mean, he really does think his stuff through, and his visuals are (when they’re projected at a decent size) more likely to make you move than his grooves, PURELY BECAUSE they are so brilliantly segued into his music. The Incubate gig last year was great but in the back room of a pub; now, with a big room and amplification to boot, the set was pretty dark and stickily compelling, in a way that very, very early, street-lamp powered raves were; (especially if you avoided falling into the sump pits back then). The weird cuts of 80s films also suggested some mash of Tarkovsky and Toyah too (notebooks out, chinstrokers!) and it was a bitch squared that we had to leave. I dig public transport as much as the next state employee but hey, sometimes leaving early is a pain.

Richard Foster

press

reviews: rundfunk #1, incubate, studio, tilburg – september 21 2013

Live @huntercomplex sounds even better than on his new brilliant album
Theo Ploeg / Twitter

@huntercomplex fucking fantastic at Studio
Incendiary Magazine / Twitter

the ’80s movie score moves of Hunter Complex
Ian Harrison / Mojo

Time passes, chums turn up, and British and Dutch journos who are hip to the great Dutch scene prattle idly in the sun. It’s nice, and in some ways a perfect setting for the slightly unsettling but lush sounds of Hunter Complex.
Now this lad has released some record in Heat, one of our faves of the year if truth be told, and we are happy to see him; even if it’s only in a small room in a pub. No matter, the confined space adds something to his beautiful, paranoid slabs of synth pop; think New Gold Dream in a head on collision with Rush’s synth stuff and 1-A Düsseldorf and you can rest easy. The visuals are a treat too; they somehow blend brilliantly with the set. The small room is mesmerized, nothing really kicks off in terms of beat or sound but it doesn’t need to; it’s content to snarl at you from a distance, dirty neon, grease stained chrome and scuzzed plastic in feel. It’s a fabulous gig and this artist and his work demands your attention. NOW.
Richard Foster / Incendiary Magazine

Direct daarna speelt Lars Meijer a.k.a. Hunter Complex zich in de kijker met een gevarieerde elektronicaset, soms richting dromerige ambient, op onverwachte momenten weer verrassend dansbaar.
Joris Rietbroek / Kicking the Habit

Nog voor Earth Mk. II goed en wel het podium heeft verlaten doemen de eerste beats van Hunter Complex op uit een totaal andere hoek van Studio. Lars Meijer alias Hunter Complex is door zijn label Narrominded in de gelegenheid gesteld om met zijn producties de laatste slapers wakker te krijgen. Meijer combineert zijn knappe electro met op het eerste oog volstrekt willekeurige filmbeelden. Dit alles leidt tot een bij vlagen hypnotiserende trip die we graag nog eens twaalf uur laten zouden willen ondergaan. Lang kunnen we echter niet stil staan bij het moois want alles is er aan gelegen een plek te veroveren in de huiskamer van Snowstar Records die vandaag decor is voor akoestische optredens van Kim Janssen, I Am Oak en Luik.
Matthijs Nicolai / 3voor12 / Tilburg